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BBC Four Collections -
archive programmes chosen by experts.
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For this Collection, Janet
Street-Porter has selected
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programmes about
Post-War Architecture.
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More programmes on this theme,
and other BBC Four Collections,
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are available on BBC iPlayer.
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Leeds,
the Settle and Carlisle railway
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and its great viaduct at Ribblehead,
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Carlisle, the border town of Hawick,
Edinburgh.
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Ian Nairn hardly took a direct route.
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But he did take a route that
allowed him to sound off,
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and that's the important thing.
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His films are not travel programmes,
though they are films about travel.
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This one is anecdotally strong.
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It's also typically demonstrative
of Nairn's desire to see the everyday
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improved.
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He believed, and it's
an unfashionable belief today,
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that better places might make
better people
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and that better places could only be
achieved through necessity,
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that is, through buildings,
transport systems,
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public spaces and so on which
are part of the organism of a town
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or village,
and not plastered-on gestures.
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Leeds, in midsummer 1972.
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This is midsummer day,
give or take a few inches of rain.
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The last journey, by canal, ended
only a few yards from here,
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the back of Leeds City station.
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This journey starts from the station,
to look at a railway
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and the landscape it goes through.
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This is a jumping-off point
for the Settle and Carlisle, which is
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the most dramatic
mainline in England.
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It goes from Settle right
up into the Pennines,
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over the top, down to Kirby Stephen,
then to Carlisle,
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through the Eden Valley,
which is marvellous countryside.
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And then from there,
from Carlisle to Edinburgh.
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This time, the railway is gone,
it went a few years ago,
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a railway which used to be a lifeline
to border towns like Hawick
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and Galashiels.
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The first part of the journey,
as far as Skipton,
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is in fact the canal journey
in reverse, because both railway
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and canal had to follow
the Aire Valley,
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it was the only way
they could get through the hills.
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HOOTER BLARES
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The great thing about journeys in
different modes of transport is that
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each time you see a different place,
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the same place on the ground,
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but each time you see it
you rediscover it in a different way.
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Having come by canal down there,
now going through it,
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cleaving through it on the railway,
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you could say that the canal was
respecting the Aire Valley,
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where the railway here is sort of
using it, driving through it.
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But, as soon as we get up on the
Pennines, the situation is reversed.
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The landscape is totally in charge.
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Here, beyond Keighley,
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we've just about run out
of the industrial West Riding.
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The landscape is already
beginning to dominate
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and the hills are turning up on
either side of the Aire Valley.
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The next port of call is Skipton.
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It's only 20 miles out,
but already, from Leeds,
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you've got into
a completely different landscape.
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That's where I leave the train,
though not the rail line itself.
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The main reason is there aren't
very many of them.
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That was a service from Leeds
to Morecambe.
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But, you know,
a fair number of those every day.
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But that turns off from here and goes
over to the other side of England,
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the main line north,
the actual Settle and Carlisle,
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only has two trains each way
every day,
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and two of those
in the middle of the night.
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And anyway, this thing is not just
about the railway, it's about
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all the places on and near
the railway,
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and what the railway's done to them,
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how their character has been
changed by it, or not changed.
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The first of those, the one that gave
half the name to the line,
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is Settle itself, which is
15 miles north of here,
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sort of 15 miles
deeper into the Dales.
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It's a bit of Settle, and it's not
quite what it seems, really.
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This street here is in fact the
balcony above the Shambles,
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the old market hall.
Four little houses on top. Why not?
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It's a very reasonable way of doing
it, uses the space twice,
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and it's sort of typical
of the quirkiness of the place.
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It's very much its own,
own person, Settle,
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much more than Skipton down the road,
which is not quite industrial,
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not quite tourist,
not quite market town.
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This is the very end of market day
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and you feel all the time
that it's a local centre.
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It's not really worried by tourists,
although it does have tourists.
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It's doing its own thing,
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doing its own thing in the buildings,
as well, the way they crowd together
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and huddle up.
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This isn't picturesqueness, so much
as complete practicality, keeping
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the wind out, because the wind can
be diabolical here in winter.
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And, in fact, in June.
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It's very well looked after, apart
from the main road traffic which
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goes through here,
which could be got rid of easily.
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Everything else is well kept up,
but not too well kept up,
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it's just healthy
and going on happily.
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There's a new public library and some
flats just at the back, for example.
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Nothing special,
but just that bit more care,
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not leaving the site just as a vacant
hole in the middle of the town.
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Everything's trim here.
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And opposite that library,
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there's a typical bit of Settle or
Dales bloody-mindedness.
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It's the most elaborate house
in Settle.
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It's been called a folly,
and with good reason.
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The designer, whoever he was,
really did mix it.
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He mixed classical and Tudor
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and stirred the whole lot up into
a colossal goulash.
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The railway?
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Well, it's just over at the back
of the houses there.
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But it hardly affects the town
at all. There's no railway suburb.
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The station now is almost
a period piece,
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with gas lamps and what you might
call Victoriana, you know, things
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you'd see in antiques shops in
the King's Road, which is very nice,
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but I suspect the reason is that
British Rail are slowly running
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the line down.
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They won't bother to replace
anything,
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they'll just leave it
until it crumbles, which is sad.
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15 miles further on
on the Settle and Carlisle,
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and 1,000 feet up,
the Ribblehead Viaduct, which is
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probably the most impressive
engineering structure on the line.
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A magnificent thing in
magnificent scenery.
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A real case of where man's building
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and nature are completely
complementary.
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This valley is actually a wind funnel
into the prevailing wind and there is
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a story that a chap working on top
had his hat taken off,
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it got swirled under the arch,
with the air currents,
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came back the other side
and back onto his head again.
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But a lot of the stories
aren't as funny as that.
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In three years, 100 men died here
building this viaduct.
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Not all accidents, but an awful lot
of them were, accidents and disease.
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This was the last great railway work
actually done by the navvies,
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that is, simple straightforward sweat
and no mechanical aids.
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They travelled around
and established shanty towns,
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and one of them was just here.
It was called Batty Green.
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And when the line construction was
at its peak, which was about 1870,
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there were about 2,000 people
working here.
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And Batty Green was equipped not only
with pubs but with a hospital
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and a public library.
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From here on, for about 15 miles now,
we're stuck on or above 1,000 feet,
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almost nothing,
just the tracks and the hills
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and very occasional wayside halts
which now, alas, are closed.
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I said there weren't many
passenger trains on this line,
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but there's an awful lot of freight.
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It's a link still worth keeping
between Scotland and Yorkshire.
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This is Dent Station.
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It is, or rather was, the highest
mainline station in Britain.
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1,150 feet up.
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And even though it is something
like three miles
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from the village down there,
something like 500 feet down,
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on one hell of a road,
it is still a link, or could be.
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Now the station is closed,
the buildings are used as a kind
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of adventure centre for a school
in Burnley, which is good in itself.
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But meanwhile,
especially in the winter,
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you just can't get
out of Dent except by road.
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And there are times
when that's impossible.
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They're not joking
when they put snow fences up here.
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And Dent itself is
a quite remarkable place.
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They've absolutely packed
the houses together here.
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Just at this point, the village
street is not much wider than I am.
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And it's all common sense,
huddling together against the wind
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and the weather.
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And it's common sense that's still
relevant today, you know,
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in places in Britain that have
this kind of winter weather,
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Scotsnewdowns, for example,
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because it can surely blow
pretty hard up there.
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And, although it's
a very pretty village,
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you might say a kind of Clovelly,
it is also a working village.
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There's one or two souvenir shops,
inevitably,
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but nothing overwhelming,
the place is in balance.
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It's still a real community,
and still in a real Yorkshire Dale,
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we're still in the West Riding here,
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although it's only a few miles to
Kendal and Westmorland.
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And what I'd like to see,
even in what is a national park,
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the Dales National Park here, is just
a bit more employment,
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you know, a small factory, to keep
the spirit of the place alive,
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to stop mass immigration and all
the houses fill up with weekenders
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or second homes.
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The place is bigger
and stronger than that.
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It could be done. It could be done
carefully, and they are careful here.
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Careful, for example,
not to have asphalted this lot over.
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Careful in the car park, where
instead, again, of mass asphalt,
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there's going to be a concrete
framework, soil on that,
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grass on top of that. You can do it.
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And, with a bit of luck,
just a tiny bypass,
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because it's quiet enough now,
but when traffic comes through,
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and it has to because there
are through roads through Dent,
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it gets a bit cramped up there.
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But what really hits me is
the absolute need for the place to be
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just like this just here,
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with the hills behind the church
and everything huddling in.
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You know, so many places now
are built without any need at all,
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just for lowest common
denominator materialism.
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Appleby is the only passenger stop
between Settle and Carlisle.
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And it's certainly a place worth
stopping off for.
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It was, in fact, a medieval new town.
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It didn't grow up accidentally
at a ford in the river or
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anything like that.
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The whole town was laid out at one
go, though the buildings, of course,
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have changed.
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There's a castle at the top
of the hill here,
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a church down at the bottom,
most of the town's shops in-between.
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It's... It's a very solid, nice plan,
that.
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The kind of thing that's
just as valid today, really.
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But as well as that,
there's all the taste of Appleby.
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Over the centuries,
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they've embellished it in all sorts
of little ways.
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Like the obelisk here, which they
think was put up to commemorate
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Charles II's restoration, because
Appleby was a staunch Royalist place.
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This sort of defines
this end of the town.
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Not only that, there's another one,
it's a sort of twin,
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down at the low end of the town,
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so that, wherever you are in this
high street, Boroughgate, you can
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relate yourself exactly by looking
at the two obelisks.
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Nearer to this one,
further from that one.
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And the church itself has
a little screen in front of it.
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Super idea, this, because from
the top end of town you see screen
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and church as one building,
you think it's an extra aisle.
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Lower down, you suddenly realise
that it isn't, it's a thing in front,
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separate building, which you have to
go through to get to the church,
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under an arch.
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Things like that crystallise a town,
make it absolutely unique.
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And, overall, it's such a solid,
sane uniqueness in Appleby.
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It's not loaded with international
tourism and gimmicks.
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It's just going on with its business,
quietly, naturally, it's there to
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look at if you want to, it's not
thrusting it down your throat.
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From here on in, slow diminuendo
down to the Solway Firth,
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the hills gradually fading away, you
know, hanging on as long as they can,
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but then, flat land and Carlisle.
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Well, that's it.
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The end of the Settle and Carlisle
line, with one of the two expresses
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being held up, alas, a few yards
away from Carlisle Citadel Station.
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00:16:40,040 --> 00:16:42,400
This is the mainline on the left,
231
00:16:42,400 --> 00:16:44,960
the one that comes up from Euston
through Crewe.
232
00:16:44,960 --> 00:16:48,720
I reckon meself it ought to be given
right of way because
233
00:16:48,720 --> 00:16:51,000
the Settle and Carlisle deserves it.
234
00:16:51,000 --> 00:16:53,160
It must not go!
235
00:16:53,160 --> 00:16:56,800
British Rail have just started to
reopen one or two lines,
236
00:16:56,800 --> 00:17:01,280
rather timid ones, really,
to preserved steam locomotives.
237
00:17:01,280 --> 00:17:04,640
The whole of the Settle and Carlisle
is ready-made for this.
238
00:17:04,640 --> 00:17:09,520
I was lucky enough just once to see
one of those things panting up over
239
00:17:09,520 --> 00:17:10,880
the Ribblesdale viaduct.
240
00:17:10,880 --> 00:17:12,440
It's something I won't forget.
241
00:17:13,800 --> 00:17:17,760
And just beyond, when they eventually
let it into the station,
242
00:17:17,760 --> 00:17:20,240
is Carlisle itself,
which I'd like to have a look at.
243
00:17:28,200 --> 00:17:29,840
Almost everywhere between Settle
244
00:17:29,840 --> 00:17:32,520
and Carlisle has
a very strong sense of identity.
245
00:17:32,520 --> 00:17:37,160
Carlisle itself, to me, seems to have
none at all. It's got addled.
246
00:17:37,160 --> 00:17:43,000
It's as if all the border people that
have come through it have somehow
247
00:17:43,000 --> 00:17:47,120
rubbed out the town altogether.
This isn't only my opinion.
248
00:17:47,120 --> 00:17:52,600
Almost everyone I've spoken to has
had the same feeling about the place.
249
00:17:52,600 --> 00:17:54,240
It goes back a long way.
250
00:17:54,240 --> 00:17:59,160
In 1830, a local newspaper was saying
that they were neither Scots
251
00:17:59,160 --> 00:18:01,760
nor Irish nor English,
but a mongrel breed of all three...
252
00:18:02,760 --> 00:18:05,200
..which is puzzling when you think
of Berwick-upon-Tweed
253
00:18:05,200 --> 00:18:06,720
on the other side of the country,
254
00:18:06,720 --> 00:18:09,880
which is so terribly strong
and its own place.
255
00:18:11,080 --> 00:18:13,760
This is all reflected visually.
256
00:18:13,760 --> 00:18:15,960
In the marketplace in Carlisle,
257
00:18:15,960 --> 00:18:20,080
I'm leaning on an Art Nouveau ladies'
lavatory, which is about the last
258
00:18:20,080 --> 00:18:25,200
decent thing that's been put up here
- it's all cacophony. It's a mess.
259
00:18:25,200 --> 00:18:26,560
The traffic's a mess.
260
00:18:26,560 --> 00:18:30,920
The...flowerbeds...they're nice
flowers
261
00:18:30,920 --> 00:18:33,360
but they don't belong
in a marketplace.
262
00:18:33,360 --> 00:18:37,120
The lamp standards
are thick and ugly.
263
00:18:37,120 --> 00:18:39,960
It's all getting in the way
of the shape of the town.
264
00:18:41,360 --> 00:18:43,960
You just can't see
the wood for the trees here.
265
00:18:43,960 --> 00:18:46,680
It really does need its own
head shrinker -
266
00:18:46,680 --> 00:18:49,240
what I mean by a town planner,
or what he ought to be.
267
00:18:49,240 --> 00:18:53,920
And if I was trying to plan Carlisle,
I might say, well, all right, it is
268
00:18:53,920 --> 00:18:56,680
such a mess,
let's simply leave it as it is.
269
00:18:56,680 --> 00:18:58,240
But one or two things make me
270
00:18:58,240 --> 00:19:00,680
think the situation
isn't as hopeless as that.
271
00:19:00,680 --> 00:19:03,720
One is that this place,
like everywhere else, has
272
00:19:03,720 --> 00:19:07,400
something from the past that you can
hang on to and develop and expand.
273
00:19:08,720 --> 00:19:11,680
And here, a collection of alleyways,
about a dozen of them,
274
00:19:11,680 --> 00:19:13,200
very close together indeed.
275
00:19:13,200 --> 00:19:16,560
Some of them are still used for
shopping now and they're not pretty
276
00:19:16,560 --> 00:19:18,440
but they are a working part
of the town.
277
00:19:18,440 --> 00:19:21,960
Others are left derelict or blocked
or car parks.
278
00:19:21,960 --> 00:19:25,000
That's not the way to get
a sense of identity.
279
00:19:25,000 --> 00:19:30,280
And the other thing, which, perhaps,
is more important,
280
00:19:30,280 --> 00:19:33,560
is that this marketplace didn't
always look like this.
281
00:19:34,600 --> 00:19:37,200
What has grown up here,
this lack of identity,
282
00:19:37,200 --> 00:19:40,640
has happened in
the last 30 or 40 years.
283
00:19:40,640 --> 00:19:46,080
From a photograph of 1898 you can
see that it had a complete unity
284
00:19:46,080 --> 00:19:50,200
and it allowed the important parts of
the town, like the statue
285
00:19:50,200 --> 00:19:53,520
and Carlisle Cross, the market cross
there,
286
00:19:53,520 --> 00:19:55,880
the building behind it, to speak,
287
00:19:55,880 --> 00:20:01,680
to provide a real heart to the place,
not, as I said before, this mess.
288
00:20:01,680 --> 00:20:04,880
Because now, look at it.
289
00:20:04,880 --> 00:20:06,640
County town of Cumberland?
290
00:20:06,640 --> 00:20:08,000
All the places in Cumberland
291
00:20:08,000 --> 00:20:15,720
and the centre can be no more guts to
it than you see here? It's not on.
292
00:20:15,720 --> 00:20:18,720
That, for me,
is about enough of an addled place.
293
00:20:18,720 --> 00:20:21,880
I'd rather get on a bit further up
the line towards Edinburgh.
294
00:20:35,440 --> 00:20:39,160
I'm sorry, I'm about three-and-a-half
years late for the train to
295
00:20:39,160 --> 00:20:41,040
Edinburgh from Longtown.
296
00:20:41,040 --> 00:20:44,120
Expresses used to run through here
all the way from St Pancras, up over
297
00:20:44,120 --> 00:20:49,880
the Settle and Carlisle, and then
Carlisle to Edinburgh, on this route.
298
00:20:49,880 --> 00:20:51,960
The line was closed in 1969.
299
00:20:51,960 --> 00:20:56,680
There was a chance at one time it was
going to be reopened privately,
300
00:20:56,680 --> 00:21:00,760
not done as an enthusiasts' railway,
but as a proper commercial concern,
301
00:21:00,760 --> 00:21:02,520
quite independent of British Rail.
302
00:21:02,520 --> 00:21:07,280
They couldn't get the money in time,
and now the track's been taken up.
303
00:21:07,280 --> 00:21:12,560
I don't really give it much chance.
Pity, though. What a waste.
304
00:21:12,560 --> 00:21:16,000
What a waste here.
This stuff is good machinery.
305
00:21:19,240 --> 00:21:22,960
Not to be left lying around derelict
like this.
306
00:21:22,960 --> 00:21:24,640
At the very least now,
307
00:21:24,640 --> 00:21:29,040
this could become a different
sort of indoor adventure playground.
308
00:21:29,040 --> 00:21:31,720
It could become a house,
I wouldn't mind living in this.
309
00:21:31,720 --> 00:21:35,200
Keep all the stuff,
and convert these to beer pumps.
310
00:21:37,640 --> 00:21:41,760
Longtown itself is only, what,
eight miles from Carlisle.
311
00:21:41,760 --> 00:21:46,160
So, closing the railway hasn't meant
an enormous problem.
312
00:21:46,160 --> 00:21:48,120
Eight-mile bus journey is not
too bad.
313
00:21:48,120 --> 00:21:51,480
But that's not at all true
of the places further up there,
314
00:21:51,480 --> 00:21:52,520
into the hills.
315
00:22:02,360 --> 00:22:06,040
This is one of the wildest
parts of the border, between Carlisle
316
00:22:06,040 --> 00:22:12,920
and Hawick. There's just greenery,
me, and a railway junction.
317
00:22:12,920 --> 00:22:16,400
This is Riccarton,
and it really was a junction
318
00:22:16,400 --> 00:22:21,000
because not only does the Carlisle
Edinburgh come through here, but also
319
00:22:21,000 --> 00:22:25,160
a line which went down to Bellingham,
down the Tyne Valley to Hexham.
320
00:22:25,160 --> 00:22:28,120
So, you could, quite literally,
go from here to both King's Cross
321
00:22:28,120 --> 00:22:31,080
and St Pancras. Now gone, all gone.
322
00:22:32,720 --> 00:22:35,840
It was very odd in another way
323
00:22:35,840 --> 00:22:38,680
because for almost 100 years there
was absolutely no road access to
324
00:22:38,680 --> 00:22:40,960
this place,
you just had to get in by rail,
325
00:22:40,960 --> 00:22:42,920
it was the only way you could do it.
326
00:22:42,920 --> 00:22:46,920
I can't visualise this half-mile of
platform packed with
327
00:22:46,920 --> 00:22:50,560
Newcastle supporters or something,
going to a Glasgow football match,
328
00:22:50,560 --> 00:22:53,000
but something like that could
have happened.
329
00:22:53,000 --> 00:22:55,520
There's a road now,
and it's rather sad, in a way,
330
00:22:55,520 --> 00:22:57,440
because it's a forestry road.
331
00:22:57,440 --> 00:23:01,080
In other words, little green fir
trees are coming here by the million.
332
00:23:01,080 --> 00:23:06,000
It's a great pity to swamp
these huge, rolling hills
333
00:23:06,000 --> 00:23:08,800
just for the sake of
a bit more timber.
334
00:23:08,800 --> 00:23:10,080
Ah, get off.
335
00:23:12,360 --> 00:23:14,560
Hawick is the next town on the route,
336
00:23:14,560 --> 00:23:19,600
and it's the one which has suffered
most from the closure of the railway,
337
00:23:19,600 --> 00:23:23,800
it's the one which is
furthest from any railhead.
338
00:23:29,560 --> 00:23:32,400
Hawick Station. The station's open.
339
00:23:32,400 --> 00:23:35,600
The only thing is there don't happen
to be any railway tracks running
340
00:23:35,600 --> 00:23:36,680
through it.
341
00:23:36,680 --> 00:23:41,360
The reason it's open is that British
Rail operate a service here where
342
00:23:41,360 --> 00:23:44,880
the goods come in, collected, taken
out in British Rail vans
343
00:23:44,880 --> 00:23:47,280
to either Carlisle or Edinburgh.
344
00:23:47,280 --> 00:23:50,560
It begins to look as though someone
is trying really hard to invent
345
00:23:50,560 --> 00:23:52,000
the railway.
346
00:23:52,000 --> 00:23:55,840
And the reason why this is still
going is that Hawick is an industrial
347
00:23:55,840 --> 00:24:00,400
town, it's not just a small,
local centre.
348
00:24:00,400 --> 00:24:03,640
It's that as well, but, basically,
it lives on textiles,
349
00:24:03,640 --> 00:24:05,080
particularly tweeds.
350
00:24:06,200 --> 00:24:11,160
You could almost be back in the West
Riding here, same dark brown stone,
351
00:24:11,160 --> 00:24:13,200
the same mills crowding the river,
352
00:24:13,200 --> 00:24:16,840
the same hills coming in
very close on all sides.
353
00:24:16,840 --> 00:24:20,720
And this industrial character is not
conventionally beautiful,
354
00:24:20,720 --> 00:24:22,200
but very nice.
355
00:24:22,200 --> 00:24:25,400
It has a very strong sense
of identity after Carlisle,
356
00:24:25,400 --> 00:24:27,000
which has very little.
357
00:24:27,000 --> 00:24:30,680
And the main street
has a very strong character.
358
00:24:30,680 --> 00:24:35,360
It's fairly narrow, tall buildings,
so you really know you're there.
359
00:24:35,360 --> 00:24:39,760
Occasional outcrops on the skyline,
like the Victorian town hall.
360
00:24:39,760 --> 00:24:43,560
And a set of, for a town of
this size, colossal banks.
361
00:24:43,560 --> 00:24:47,840
Like Florentine palaces. All this
is almost on an Edinburgh scale.
362
00:24:47,840 --> 00:24:51,440
Without having any dramatically
beautiful buildings it's still
363
00:24:51,440 --> 00:24:52,760
a very worthwhile place.
364
00:24:52,760 --> 00:24:57,280
And if you do go anywhere by bus
you're a bit stuck
365
00:24:57,280 --> 00:24:59,480
because there is no bus station.
366
00:24:59,480 --> 00:25:01,160
There is a bus turn-round place,
367
00:25:01,160 --> 00:25:03,160
I mean, you just pick it
up at a bus stop.
368
00:25:03,160 --> 00:25:04,320
But when you compare that,
369
00:25:04,320 --> 00:25:08,120
standing out in the open entirely
with no facilities,
370
00:25:08,120 --> 00:25:12,160
with the facilities that were, well,
still are provided here in name
371
00:25:12,160 --> 00:25:15,560
though not in fact - you know,
waiting rooms and ladies' and gents'
372
00:25:15,560 --> 00:25:17,400
and that, probably a buffet,
bookstall,
373
00:25:17,400 --> 00:25:22,960
that's still there -
it seems we're making a bad exchange.
374
00:25:22,960 --> 00:25:26,880
There's a sort of Marie Celeste
feeling about this because, as I say,
375
00:25:26,880 --> 00:25:29,760
the parcels office is still going,
so it's still inhabited,
376
00:25:29,760 --> 00:25:33,920
but nothing is happening
this side of the station buildings.
377
00:25:33,920 --> 00:25:37,160
And the same thing will be true
all the way up to Edinburgh now.
378
00:25:37,160 --> 00:25:41,080
Hawick I just wanted to show
because it was representative.
379
00:25:41,080 --> 00:25:43,800
The point of this part
of the journey, basically,
380
00:25:43,800 --> 00:25:49,680
is to make very sure that this kind
of useless dereliction - you know,
381
00:25:49,680 --> 00:25:53,760
parts of the tracks are going to be
a cemetery in the end. Eugh! -
382
00:25:53,760 --> 00:25:56,920
this kind of dereliction doesn't
happen to the Settle and Carlisle.
383
00:26:01,080 --> 00:26:02,520
We're on a real railway again.
384
00:26:02,520 --> 00:26:07,040
We're also back to something
pretty much like a British summer.
385
00:26:07,040 --> 00:26:09,960
But in terms of Edinburgh,
it's not a bad thing
386
00:26:09,960 --> 00:26:13,080
because it's one hell
of an atmospheric city.
387
00:26:14,200 --> 00:26:17,840
It just gives it an extra punch,
whether it's to the castle,
388
00:26:17,840 --> 00:26:22,280
or to the long,
straight avenue of Princes Street.
389
00:26:22,280 --> 00:26:26,840
Or even to the new shopping precinct
which is not living up to Edinburgh's
390
00:26:26,840 --> 00:26:28,560
past traditions.
391
00:26:28,560 --> 00:26:31,520
We're up on the Calton Hill here,
and some pretty odd things
392
00:26:31,520 --> 00:26:34,320
are happening up here,
as well as over there.
393
00:26:34,320 --> 00:26:38,160
Like this, for example, which is
a copy of the Parthenon.
394
00:26:38,160 --> 00:26:42,280
It was meant to be a national
monument, the sort of thing
395
00:26:42,280 --> 00:26:47,480
they did in the French Revolution,
these abstract conceptions.
396
00:26:47,480 --> 00:26:51,440
But the money ran out, didn't it? So
we've now only got about half of it.
397
00:26:51,440 --> 00:26:53,680
And it's locally known
not as a national monument but
398
00:26:53,680 --> 00:26:55,720
the disgrace of Edinburgh.
399
00:26:55,720 --> 00:26:57,680
For my money, I don't think it's
a disgrace,
400
00:26:57,680 --> 00:27:00,800
I think it's a marvellous thing to
do. But they didn't stop there.
401
00:27:00,800 --> 00:27:02,800
See, this is 1822,
402
00:27:02,800 --> 00:27:06,120
and within a few years of that they
went berserk on this hilltop.
403
00:27:06,120 --> 00:27:09,000
It's not only this half-finished
Parthenon.
404
00:27:09,000 --> 00:27:11,600
There's a Royal Observatory
with a dome,
405
00:27:11,600 --> 00:27:14,960
there's a Doric temple to
a mathematician.
406
00:27:14,960 --> 00:27:19,160
There is a little rotunda to
a philosopher.
407
00:27:19,160 --> 00:27:21,040
And there is a very large,
408
00:27:21,040 --> 00:27:24,840
telescopic Gothic tower to
Nelson's achievements.
409
00:27:24,840 --> 00:27:29,200
This is all nuts, it's all crazy
and marvellous at the same time.
410
00:27:29,200 --> 00:27:32,920
This place is a living proof of
the fact that if God doesn't exist,
411
00:27:32,920 --> 00:27:36,000
because none of these are religious
buildings, we've got to invent him.
412
00:27:36,000 --> 00:27:40,600
People have been building
their cathedrals, that is
413
00:27:40,600 --> 00:27:43,760
reaching up to the skies here,
for something like a thousand years.
414
00:27:43,760 --> 00:27:47,240
Right up till now, that is, right up
till the inarticulate,
415
00:27:47,240 --> 00:27:49,720
flat roofs of the modern office
blocks.
416
00:27:50,880 --> 00:27:56,400
If I had to sum up these journeys,
I suppose very simply,
417
00:27:56,400 --> 00:28:01,680
the land surface is sacred.
Means of transport are sacred.
418
00:28:01,680 --> 00:28:08,280
Each has its own ethos
and each is useful for
419
00:28:08,280 --> 00:28:11,880
a different pace of journey,
a different kind of journey.
420
00:28:11,880 --> 00:28:16,600
And, finally, I suppose,
that all the time, now, 1972,
421
00:28:16,600 --> 00:28:20,440
for as long as we've got left, we
must just go on building cathedrals.